Footloose

Man, I love the 1980s. I really do. Which is why I cannot understand why I had never heard of Footloose before a month or so ago. Film was released in 1984, directed by Herbert Ross, and stars Kevin Bacon, Lori Singer, John Lithgow and Sarah Jessica Parker.
 
Plot is easy and fairly predictable: Ren (Kevin Bacon) is a teenager who comes from Chicago and arrives with his mother in a small town where dancing and music are illegal. There he meets Ariel, the Reverend’s daughter. Gradually the town divides between the old conservative generation, led by the reverend, and the younger rebellious crowd, led by Ren.
 
So, yeah, this is a bit far-fetched and unlikely. While the characters are not super developed, this is still a movie along the lines of more famous Dirty Dancing and Flashdance, to only cite a few. This is not exactly the film of the century, however if you are looking for entertainment, humour, drama, great dance scenes and especially a great soundtrack, go, go, go!

Ren: [to Willard] Hey, I like that hat, man. They sell men's clothes where you got that?

Reverend Moore: If our Lord wasn't testing us, how would you account for the proliferation, these days, of this obscene rock and roll music, with its gospel of easy sexuality and relaxed morality?

Ren: You like Men At Work?
Willard: what men?
Ren: Men at work.
Willard: well where do they work?
Ren: No, they're a music group.
Willard: well what do they call themselves?
Ren: Oh no! What about the Police?
Willard: What about 'em?
Ren: You ever heard them?
Willard: No, but I seen them.
Ren: Where, in concert?
Willard: No, behind you.

Yes, this is a short review, but honestly pictures and videos speak a thousand words…:

Convinced?

Lost in Translation

I have a feeling I may not be open-minded enough to see such a film : Lost in Translation, released in 2003, directed by Sophia Coppola, and generally acclaimed by the public. And it makes me sad. With so many positive opinions, I really thought I could pull it off.

Bob Harris (Bill Murray) is an ageing actor in Tokyo for a commercial. Charlotte (Scarlett Johansson) is in Tokyo with her husband John (Giovanni Ribisi), who is here on business. Charlotte feels neglected, Bob feels empty – the two of them form an unlikely bond. That’s it.  

The movie is incredibly slow, and it is difficult to get attached to Bob or Charlotte, as their characters are not developed enough for the viewer to actually like them. Not much is said, we don't know what they think. On an other hand, it is easy to dislike Charlotte’s husband, or the dumb actress Kelly (Anna Faris), who are just so self-involved it is almost a caricature. And I do like these actors, all of them, so I can hardly imagine what it would have been for me if I did not even have remote sympathy / admiration for them!

Bob: Can you keep a secret? I'm trying to organize a prison break. I'm looking for, like, an accomplice. We have to first get out of this bar, then the hotel, then the city, and then the country. Are you in or you out?
Charlotte: I'm in. I'll go pack my stuff.
Bob: I hope that you've had enough to drink. It's going to take courage.

Charlotte: So, what are you doing here?
Bob: Uh, a couple of things. Taking a break from my wife, forgetting my son's birthday. And, uh, getting paid two million dollars to endorse a whiskey when I could be doing a play somewhere.
Charlotte: Oh.
Bob: But the good news is, the whiskey works.

Charlotte: You're probably just having a mid-life crisis. Did you buy a Porsche yet?

I heard so much about Japan and Tokyo being a great destination and I still want to go, but still, that movie gives en awful view of Japan, and Tokyo especially. It takes place mostly behind closed doors, in the beautiful setting of the Tokyo Park Hyatt. One funny thing was one of the first few scenes, when the guys speaks in Japanese for what seems like ages, only to have an extremely short English translation. Or the scene where Bob goes to a talk show. Two laughs in two hours, that’s it.
 

I am still not sure whether it is a love story or not – they are so far apart, young vs old for one thing, both married, although I have a feeling Charlotte’s wedding might not last that long (and, on a more personal note, how she could have married John in the first place. Anyway). If I were to think about it a bit further I’d say this is a real love story, a true connection between two people who are so far apart in the end it is an impossible love. And what’s with the end?! We don’t know what he is whispering to her and I’ll probably wonder for the years to come. Knowing might have improved my impression of the movie. 

So, sorry for the critics who found this to be an outstanding movie, by my disappointment about the film equals the frustration of knowing I will never be able to get those two hours back.

The Graduate

Released in 1967, The Graduate was directed by Mike Nicholas and stars Dustin Hoffman as young graduate Ben Braddock, Anne Bancroft as Ms Robinson, and Katherine Ross as Elaine (who played Etta in Butch Cassidy!), and is ranked number 7 in the AFI 100 Greatest Movies of All Times.

Recently graduated, Ben returns home, confused about his future. Shortly after his return, he is seduced by Ms Robinson, the wife of his father’s business partner, and the two start an affair, up until Ben falls for the Robinson’s daughter Elaine. From there onwards, Mr Robinson will do anything to ruin Ben’s life.

The film is more complex than it looks. For one thing, I wish I had been born when it was released – the 1960s were a time of change and, although sex with an older woman before marriage is pretty common, even boring, in our society, standards existed at the time, and the film must have been pretty shocking when it was released. It’s almost like an historical document.

There is also quite a lot of psychology involved. Ben is lost, confused, and awkward. His confusion is portrayed (I think) through the various images of water in the film: he is often seen drifting in the pool, symbol maybe of his drowning? He says it straight at the beginning, that he imagined his future would be different. Lost and confused, he is no match for predator Ms Robinson, who undertakes his sexual education and almost does not give him a choice. I really think the poor guy does not see it coming. He is so inexperienced and strange, the seduction scenes are hilarious.

Benjamin: For god's sake, Mrs. Robinson. Here we are. You got me into your house. You give me a drink. You... put on music. Now you start opening up your personal life to me and tell me your husband won't be home for hours.
Mrs. Robinson: So?
Benjamin: Mrs. Robinson, you're trying to seduce me.

Benjamin: Look, maybe we could do something else together. Mrs. Robinson, would you like to go to a movie?

Ben evolved throughout the movie, and becomes a man. Confused, he realizes he loves Elaine, and does not give up. On the other side, deep down, Ms Robinson is a woman unhappy with her life, jealous of her own daughter, looking for her lost younth back, who did not get the life she wanted and is therefore determined to make anyone around her miserable, which I think transpired the most at the very end. Well, that’s my take on it anyway.

Mrs. Robinson: Elaine, it's too late!
Elaine: Not for me!

On key element that make the film pleasant to watch is the soundtrack by Simon and Garfunkel, with great tunes, although I got to admit when I heard Sounds of Silence for the third or fourth time I got a bit tired of it.

The characters are developed enough for my personal taste, and I thought some of the scenes took too long (at the beginning when Ben blankly stares at his fish tank) while some others would have deserved more time: the revelation of Ms Robinson affair with Ben to Elaine for instance. I also had an issue with the choice of Dustin Hoffman: I realize I may be biased, but to me he’ll always be RainMan, and in this film he did have some rain-man-y moments which I found slightly disturbing: the guy’s a successful graduate who’s confused, not an idiot. Anyway, although probably many people won’t agree on this, that was my impression. Which does not mean that I don't absolutely love Dustin Hoffman! I am glad I got to see this film though, don’t get me wrong, it certainly falls in the “Classic” category, and I did have fun. Scenario is less complex than what we’d see in today’s films, but all in all an enjoyable moment.

All the President’s Men

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Away We Go

 What a better way to start yet another year with an inspiring movie. I had much expectations about Away We Go, directed by Sam Mendes (American Beauty, Revolutionary Road), released in 2009.

They say “journey is the reward”, and what a journey! Vera and Burt are very much in love and expecting their first child. An eccentric couple, they embark on a journey to find the place where they want to raise their child, and visit different friends and family across the country. From one disaster to another, from one gag to the other, they keep moving.

Key message: the rules and expectations of society do not drive to happiness and balance. Tthe compatibility between people and their tolerance to matter more, and make the relationships they form richer, as they appreciate people for themselves and not for the function or money.

MayaRudolph (Vera) and John Krasinski (Bert) have great chemistry and shine. Vera doesn’t want to marry Bert, in spite of being repeatedly asked, and it kind of makes sense: someone once said to me: “it’s more beautiful to stay if you don’t have to”. And that’s exactly what happens. Their conversation (below) is touching and means more than empty marriage vows. This scene was very well constructed, and remains one of my favourite moments in the film.

Burt: Do you promise to let our daughter be fat or skinny or any weight at all? Because we want her to be happy, no matter what. Being obsessed with weight is just too cliché for our daughter.
Verona: Yes, I do. Do you promise, when she talks, you'll listen? Like, really listen, especially when she's scared? And that her fights will be your fights?
Burt: I do. And do you promise that if I die some embarrassing and boring death that you're gonna tell our daughter that her father was killed by Russian soldiers in this intense hand-to-hand combat in an attempt to save the lives of 850 Chechnyan orphans?
Verona : I do. Chechnyan orphans. I do. I do.

The rest of the cast makes brief appearances. In spite of only appearing briefly, Burt’s parents (Catherine O’Hara and Jeff Bridges) are just right, outrageous, brilliant. The character played by Alison Janney is scandalous and fun, although maybe a tad over the top. I still can’t make up my mind about the character played by Maggie Gyllenhall (LN), over-stereotyped, completely over the top, but fun nevertheless, if you take it with a pinch of salt.

LN: [to Roderick] They bought us a stroller.
Burt: What's wrong with a stroller?
LN: I LOVE my babies. Why would I want to PUSH them away from me?

I was not too sympathetic about the Montreal couple, their story was more tragic than fun, not developed enough, and kind of killed the mood for a while.

Interesting fact: this was a green movie, ie (well, officially at least!) no carbon footprint left by cast and crew.

One critic though is that I found the pace of the film was a bit slow, but I’d say it’s because of the director: after all, Revolutionary Road too was extraordinarily slow, to the point of being boring, and as I remember event American Beauty had its boring moments. Cannot be perfect all the time!
All in all, a worthy film, a subtle comedy. A classic, a must? Maybe not, but definitely something to enjoy.